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"Life is supposed to be difficult," he said taking a long swig for his ornate hip flask, "It’s the struggle against the infinite violence of a universe.” I smiled, perhaps he was right or perhaps he was just an asshole making it up as he went along, but the gravity of his remark struck me unexpectedly. The default to life was indeed struggle, for all life not just intelligent life; why would I be exempt. I didn’t care for the man and his insidious gloat of pomposity. Nothing is absolute, nothing certain, which makes the possibilities boundless. The joy of life is making it from one moment to the next through adversity and earning the things the things people say about you when you arrive at your freshly dug grave carried by those you hold dearest.

Monday, 12 August 2013

Vanity Fair

This week I will be reading “The 2013 Style Issue!” of Vanity Fair (September).

Certainly one of my favourite, Vanity Fair offers a deep insight into fashion and style by focusing on the celebrated citizen, both in popular culture and occasionally in more obscure walks of life. The high standard of writing on interesting subjects sets a bench mark that few surpass. 

That said I have on occasion found myself confused as to why a certain piece has been dragged out for several pages longer than it should have.

This month’s cover features a true style legend. Princess Di looks suitably vital, poised and shimmering with femininity. “The Mystery Man Who Stole the Princess’s Heart” is the tag line that steals my attention. I'm not quite sure that this is draw enough to get someone who isn't a big fan to buy the issue.

A second feature “Michael Lewis: One Man’s Goldman Sachs Nightmare” is more my speed, perhaps I’ll start there.  First though, the Editors letter. Graydon Carter gives his run-down in a superb provoking commentary, that intrigues and raises expectations. 

The art work is exciting and fresh. Each piece sucks you in with colour, pizazz, and precision. Once you get going that oh so familiar ‘I dare not put this down’ feeling sneaks up on you and leaves you wanting more.

The real question is that of the model. Is Diana still a cover girl? No doubt. Is she a still a style icon? Most definitely, but there is a whole generation of people who can barely remember her and the ones who do still feel the sting of a life cut short. Perhaps the appeal is to an American audience. I can’t see Britons charging haplessly to their local news stand, hell bent on getting the latest on their favourite deceased princess.


It is not something that should put you off however, Vanity Fair is still a solid publication and a good read. 

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